David Sterritt: Selected Articles on Film, Aesthetics, Culture.


"Playing on our Fears: Steven Spielberg and War of the Worlds", Beliefnet, Summer  2005.

"An Inspired Collection Honors a Founder of the Indie Movement", Chronicle of Higher Education, January 14, 2005.

"Offbeat Directors' Sophistication Isn't Always Accompanied by Emotional Maturity", Chronicle of Higher Education, November 12, 2004.

"For Mike Leigh, The Personal and the Political are One and the Same", Chronicle of Higher Education, October 10, 2004.

"Touching the Void in Our Lives" (with Mikita Brottman), Chronicle of Higher Education,  August 13, 2004.

"Irréversible" (co-written with Mikita Brottman), Film Quarterly, Winter 2003-2004, 27.2, 37-42.

"Allegory and Enigma: Fantasy's Enduring Appeal" (with Mikita Brottman), Chronicle of Higher Education,  December 13, 2003.

"Spider reveals a more nuanced Cronenberg" (with Mikita Brottman), Chronicle of Higher Education, January 31, 2003.

"Thanatos Ex Machina: Godard Caresses the Dead," Senses of Cinema, January 2001.

"Coppola, Apocalypse Now, and the Ambivalent Seventies", Chronicle of Higher Education August 3, 2001.

"Hollywood's Metaphors" (with Mikita Brottman), Chronicle of Higher Education, September 28, 2001.

"Tragedy and Representation From the Holocaust to September 11: Cinematic Challenges and Opportunities." Keynote Address, National Foundation for Jewish Culture, National Gallery of Art, Washington, DC, November 29,  2001.

"Monty Python: Lust for Glory" David Sterritt and Lucille Rhodes Cineaste, 26.4 Fall, 18-23: 2001.

 David Sterritt discusses Francis Ford Coppola's "Apocalypse Now Redux", Talking History, 2001 (Audio file).

""Permanent Ghosts: Cinephilia in the Age of Internet and Video", Senses of Cinema, April 2000.

 "How 'Festival Overload Syndrome' Affects Critics", Chronicle of Higher Education August 4, 2000.
 
"Breathless was Hyperactive Anarchy: Now it is Part of the Cinematic Canon",  Chronicle of Higher Education, April 7, 2000.
"Revision, Prevision, and the Aura of Improvisatory Art", The Journal of Aesthetics and Art Criticism v. 58 no. 2 (Spring 2000)  p.163-72 (tiff file).  

"Renaldo & Clara Meet John Cage: Aleatory Cinema and the Aesthetics of Incompetence". Senses of Cinema 5 (2000).

"The Idiots," Film Comment  March/April 2000. Vol.36, 2: 75.

"The End of the Affair," Film Comment Jan/Feb 2000. Vol. 36. 1: 74.

"Kerouac, Artaud, and the Baroque Period of the Three Stooges," Mosaic 31:4,  December 1998.

"Cinema 16: A Film Society Remembered," The Sticking Place, May 1986.

"Words and Meaning in the Age of Images," 21st Century Issue 2.3, Columbia University Research Publication.

 

© 2005 All Rights Reserved.